Joseph Losey
1951

Bret hadn't really changed, but he had taken on weight during his nine months in the hospital. It had altered the lines of his cheek and jaw and made his old gray uniform seem too small for him. She could never wholly free her mind of the suspicion that this Bret Taylor was an imposter, living a healthy vegitative life in a dead man's clothes ...........
Three Roads
Ross MacDonald
1950

Vito Corleone is the moral center of the film. He is old, wise and opposed to dealing in drugs. He understands that society is not alarmed by "liquor, gambling .... even women." But drugs are a dirty business to Don Vito, and one of the movie's best scenes is the mafia summit at which he argues his point. The implication is that in the godfather's world there would be no drugs, only "victimless crimes" and justice would be dispatched evenly and swiftly.
Roger Ebert
(on The Godfather 1972)
1997

I may be wrong - i have been about so many things - but i can't recall ever hearing or knowing of a son-of-a-bitch who did not do all right for himself. I'm talking about real sons-of-bitches, understand. The grade-A, double distilled, steam-heated variety. You take a man like that, a son-of-a-bitch who doesn't fight it - who knows what he is and gives his all to it - and you've really got something.
Jim Thompson
Nothing Man
1954